CONTENTS (As in the original volume)

[page xi]

INTRODUCTION.....v
I. WHERE NAVAHO BLANKETS ARE MADE, NAVAHO HOUSE AND THEIR SONGS of BLESSING.....1
II. THE BIRTH AND GROWTH OF THE ART OF NAVAHO BLANKET-WEAVING.....8
III. THE EARLY HISTORY OF THE NAVAHO BLANKET.....20
IV. THE BAYETA BLANKET OF THE NAVAHO.....25
V. OLD STYLE NATIVE WOOL BLANKETS.....37
VI. NAVAHO AND PUEBLO SQUAW DRESSES.....30
VII. THE SONG OF BLESSING OF THE BLANKET.....45
VIII. THE TEMPORARY DETERIORATION OF THE ART OF NAVAHO BLANKET WEAVING.....46
IX. IMPROVING THE ART OF NAVAHO BLANKET WEAVING.....51
X. THE SIGNIFICANCE AND SYMBOLISM OF COLOR IN THE NAVAHO BLANKET.....60
XI. DYEING WITH NATIVE AND ANILINE DYES.....65
XII. THE ORIGIN AND SYMBOLISM OF NAVAHO BLANKET DESIGNS.....72
XIII. A NAVAHO WEAVER AT WORK.....103
XIV. THE DESINGS ON MODERN NAVAHO BLANKETS.....120
XV. NAVAHO AND PUEBLO BELTS, GARTERS, AND HAIR BANDS.....130
XVI. THE OUTLINE BLANKET.....136
XVII. KACHINA OR YEI BLANKETS.....139
XVIII. THE CLASSIFICATION OF MODERN BLANKETS.....143
XIX. IMITATION NAVAHO BLANKETS.....159
XX. PUEBLO INDIAN WEAVERS.....164
XXI. THE CHIMAYÓ BLANKET.....167
XXII. CLEANING THE NAVAHO BLANKET.....174

APPENDIX